A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The answer is easy. The East was not discovered till after the death
of Ottfried Müller. By the East we mean that part of Africa and Asia
which is bordered by the Mediterranean, or is so near to that sea that
constant communication was kept up with its shores; we mean Egypt,
Syrian Phœnicia, and its great colony on the Libyan Coast, Chaldæa
and Assyria, Asia Minor, and those islands of Cyprus and Rhodes which
were so long dependent upon the empires on the neighbouring
continents. It was between 1820 and 1830 that the young _savant_
conceived the ideas which he developed in his works; it was then that
he first took an important part in the discussion as to the origin of
the Greek nation, upon which archæologists had long been engaged. What
part had foreign example taken in the birth and development of the
religion, the arts, the poetry, and the philosophy of Greece, of the
whole Hellenic civilization? How much of it was due to suggestions
derived from those peoples who had so long preceded the Greeks in the
ways of civil life? No historian has answered this question in a more
feeble and narrow spirit than Ottfried Müller; no one has been more
obstinate than he in insisting upon the originality of the Greek
genius, and in believing that the Greek race extracted from its own
inner consciousness all that has made its greatness and glory.
When Müller first attacked this question, Egypt alone had begun to
emerge from the obscurity which still enveloped the ancient
civilization of the East. It was not until three years after his
death, that Botta began to excavate the remains of Assyrian art; and
nothing but the vaguest and most confused information was to be had
about the ruins in Chaldæa. Now, however, we can follow the course of
the Phœnician ships along the Mediterranean, from the Thracian
Bosphorus to the pillars of Hercules. From the traces left by the
commerce and the industries of the Syrians and Carthaginians, we can
estimate the duration of their stay in each of the countries which
they visited, and the amount of influence which they exercised over
the various peoples who were tributary to them. Forty years ago this
was impossible; the writings of ancient authors were our sole source
of knowledge as to the style and taste of Phœnician art, and the
ideas which they imparted were of necessity inexact and incomplete.
Wherever they passed the Phœnicians left behind them numbers of
objects manufactured by them for exportation, and these objects are
now eagerly collected, and the marks of the Sidonian and Carthaginian
makers examined and classified, and thus we are enabled to recognize
and describe the industrial processes and the decorative motives,
which were conveyed to the Greeks and to the races of the Italian
peninsula by the "watery highway" of the Mediterranean. Fifty years
ago the land routes were as little known as those by sea. The roads
were undiscovered which traversed the defiles of the Taurus and the
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