A History of Art in Ancient Egypt, Vol. 1 (of 2) — John Shaqi
A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Ottfried Müller saw clearly enough the long and intimate connection
between Greece and Rome, but he did not comprehend--and perhaps in the
then state of knowledge it was impossible that he should
comprehend--that the bonds were no less close which bound the Hellenic
civilization to the far more ancient system which was born upon the
banks of the Nile, and crept up the valleys of the Tigris and
Euphrates, to spread itself over the plains of Iran on the one hand
and of Asia Minor on the other; while the Phœnicians carried it,
with the alphabet which they had invented and the forms of their own
worship of Astarte, over the whole basin of the Mediterranean. His
error lay in his arbitrary isolation of Greece, in dragging her from
the soil in which her roots were deeply imbedded, from which she had
drawn her first nourishment and the primary elements of that varied
and luxuriant vegetation which, in due time, became covered with the
fairest hues of art and poetry.
III.
Thanks to the numerous discoveries of the last fifty years, and to the
comparisons which they have suggested, thanks also to the theories for
which they afford a basis, history has been at last enabled to render
justice to certain nations whose activity had never before been
properly understood, to give to them their proper place in the
civilization of ancient times. But Greece--the Greece which Ottfried
Müller worshipped, and for which he was too ready to sacrifice her
predecessors and teachers, to whom she herself was more just in her
early legends--has lost nothing by the more exact information which is
now at our command. Served by her situation on the confines of Europe
and Asia and not far from Africa, by the superiority of the genius of
her people and the marvellous aptitudes of her language, Greece was
able to arrange and classify previous discoveries and to bring them to
perfection, to protect from destruction and oblivion the machinery of
progress, the processes of art, the newly-born scientific methods, in
a word, all the complex and fragile apparatus of civilization which
was so often threatened with final destruction, and which has more
than once been overwhelmed for a time in epochs of national conflict
and social decadence.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account