A History of Art in Ancient Egypt, Vol. 1 (of 2) — John Shaqi
A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
When we have crossed the threshold of the Propylæa, and have visited
the Parthenon, the Erecthæum, and the temple of the Wingless Victory;
when we have seen all Greece become covered with monuments of
architecture and sculpture, which, without rivalling those of Athens
in purity of line or finesse of execution, bear the impress of the
same style and the same taste; when we have seen Praxiteles and Scopas
succeed to Phidias and Polycletus, will it not cost us a struggle to
quit the scene of so many wonders and conclude our voyage? If we leave
the Athens of Cimon, of Pericles, and Lycurgus, for the pompous
capitals of the heirs of Alexander; if we cross the sea to visit Veii
and Clusium, to describe the Etruscan cemeteries with the fantastic
magnificence of their decoration; if at last we find ourselves in
imperial Rome, among its basilicas, its baths, its amphitheatres, and
all the sumptuous evidence of its luxury, we shall now and again turn
our eyes with regret to what we have left behind; and, although we
shall endeavour to comprehend and to judge with the liberality and
largeness of taste and sympathy which is the honour of contemporary
criticism, we shall sometimes sigh for that ideal of pure and
sovereign beauty which we adored in Greece; and shall feel, now and
again, the nostalgia of the exile.
IV.
In this sketch of our plan, we have reserved no place for the art
which is called _prehistoric_, the art of the caverns and the lake
dwellings. This omission may surprise some of our readers, and we
therefore beg to submit for their consideration the reasons which,
after grave reflection, have induced us to refrain from retracing the
first steps of human industry, from describing the first
manifestations of the plastic instinct of mankind.
We are actuated by neither indifference nor disdain. We fully
appreciate the importance of such researches, and of the results to
which they have led. No sooner had it entered into the mind of man to
look for and collect the humble remains upon which so many centuries
had looked with indifference, than they were found almost everywhere,
thickly dispersed near the surface of the earth, heaped among the
bones of deer in the grottoes for which men and animals had once
contended, buried in peat marshes and sandy shores, sometimes even
sprinkled upon the surface of the fields and country roads. Pieces of
flint, bone, or horn, fashioned into instruments of the chase, into
fishhooks, and domestic utensils; shells, perforated teeth, amber
balls which were once strung upon necklaces and bracelets; fragments
of rough tissue and of skin garments; seeds and carbonized fruits;
earthen vessels made by hand and dried in the sun or simply in the
open air. In some of the cave dwellings, bones and pieces of horn have
been found upon which the figures of animals are carved with a truth
and spirit which allow their species to be at once and certainly
recognized.
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