A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We do not yet possess, probably we shall never possess, any means of
estimating even within five or six thousand years, the actual duration
of the stone age. From all analogies progress must have been, in the
beginning, exceedingly slow; like that of a falling body, the rapidity
of industrial progress is continually accelerating. This acceleration
is not of course quite regular; the phenomena of social life are too
complex, the forces at work are too numerous and sometimes too
contrary to allow us to express it by the mathematical formula which
may be applied to movement in the physical world; but on the whole
this law of constantly accelerated progress holds good, as indeed may
be historically proved. So long as man had to do without metals, each
generation, in all probability, added but little to the discoveries of
that which preceded it; most likely after each happy effort many
generations succeeded one another without any further attempt to
advance. Ever since they have been under our observation, the savage
races of the world have been practically stationary except where
European commerce has profoundly modified the conditions of their
lives. It is probable, therefore, that more centuries rolled away
between the first chipped flints and the well polished weapons which
succeeded them than between the latter and the earliest use of bronze.
But we cannot prove that it was so, nor satisfy those whom probability
and a specious hypothesis will not content. Where neither written
evidence nor oral tradition exist there can be little question of
historic order. The remains of the stone age are not calculated to
dissipate the silence which enshrouds those centuries. In the art of a
civilized people we find their successive modes of feeling and thought
interpreted by expressive forms; we may even attempt under all reserve
to sketch their history with the sole aid of their plastic remains.
The chances of error would of course be numerous; but yet if all other
materials had, unhappily, failed us, the attempt would have been well
worth making. The more ancient portions of our prehistoric collections
do not offer the same opportunities; they are too simple and too
little varied. The primitive savage who moulded matter to his will
with great and painful difficulty, could impress upon it nothing but
those gross instincts which are common to man and beast; we can
discover nothing from his works, beyond the means which he employed in
his struggles with his enemies, and in his never-ending effort to
procure food for himself.
Public-domain text, read in full here on John Shaqi.
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