A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
In order to restore this and other obelisks to the form which they
enjoyed in the days of the Pharaohs we should have to give them back
their original summits as well as their pedestals. Hittorf has shown
that these probably consisted of caps of gilded copper fitted over the
pyramidion,[156] in those cases where the latter was not ornamented
with carved figures. A curious passage in Abd-al-latif, which has been
often cited, proves that the pyramid of Ousourtesen preserved its cap
as late as the thirteenth century. "The summit," says the Arab
historian, "is covered with a kind of funnel-shaped copper cap, which
descends about three cubits from the apex. The weather of so many
centuries has made the copper green and rusty, and some of the green
has run down the shaft of the obelisk."[157] In the plate attached to
his essay, Hittorf gives us a plan and elevation of the pyramidion of
the smaller obelisk of Luxor. He shows how its broken and irregular
mass implies a metallic covering, a covering whose existence is
moreover proved by the groove or rebate, about an inch and a half
deep, which runs round the summit of the shaft. His Figs. 3 and 4 show
that this groove was carefully polished. His conclusions have failed
to find acceptance in some quarters. It has been asserted that the
rays of the sun, striking upon such a surface, would be reflected in a
dazzling fashion, and that the general effect would have been
unsatisfactory. The Egyptians had no such fear. They made lavish use
of gold in the decoration of their buildings. According to the
inscription which covers the four sides of the pedestal under the
obelisk of Hatasu at Karnak, the pyramidion was covered "with pure
gold taken from the chiefs of the nations," which seems to imply
either a cap of gilded copper, like that of the obelisk at Heliopolis,
or a golden sphere upon the very apex. An object of this latter kind
is figured in some of the bas-reliefs at Sakkarah. Besides this there
is no doubt that the obelisk in question was gilded from head to foot.
"We remark, in the first place, that the beds of the hieroglyphs were
carefully polished; secondly, that the four faces of the obelisk
itself were left comparatively rough, from which we should conclude
that the latter alone received this costly embellishment, the
hieroglyphs preserving the natural colour of the granite."[158]
[156] _Precis sur les Pyramidions de Bronze doré Employés par
les Anciens Égyptiens comme couronnement de quelques-uns de
leurs Obélisques_, etc. J. J. HITTORF, 8vo, 1836.
[157] ABD-AL-LATIF, _Relation de l'Égypte_; French translation
by Silvestre de Sacy, published in 4to, in 1810, p. 181.--ED.
[158] MARIETTE, _Itinéraire de la Haute-Égypte_, third edition,
p. 142.
[Illustration: FIG. 167.--The obelisk of Ousourtesen. _Description_,
v. 26.]
[Illustration: FIG. 168.--The obelisk in the Place de la Concorde,
restored to its original base. From Prisse.]
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