A History of Art in Ancient Egypt, Vol. 2 (of 2) — John Shaqi
A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
This pavilion is entirely covered with bas-reliefs and hieroglyphic
texts. The best way to solve the problem which it offers is to accept
the teaching of history, and of all that we know concerning the
persistent characteristics of royal life in the East. Even in our own
day there are few eastern potentates who do not think it necessary to
lay down, on the day after their accession, the foundations of a new
palace. The Syrian Emir Beschir did so at Beit-el-din in the Lebanon,
and Djezzar-Pacha another at St. Jean d'Acre; so too, in Egypt,
Mehemet Ali and his successors built palaces at Choubra and other
places in the neighbourhood of Cairo and Alexandria. At Constantinople
recent Sultans have spent upon building the last resources of their
empire. In these matters the East is the home of change. The son
seldom inhabits the dwelling of his father. The Pharaohs and the kings
of Nineveh and Babylon must have been touched to some extent with the
same mania and eager to enjoy the results of their labour at the
earliest moment. The sovereigns of Egypt must have chosen the sites
for their palaces within the zone covered by the annual inundations.
In any part of Egypt forced labour would rapidly build up the
artificial banks necessary to raise the intended buildings above the
reach of the highest floods, while in such a situation trees and
shrubs would grow almost as fast as the palace walls. In a few years
the royal dwelling would be complete, and with its completion would
find itself surrounded by smiling parterres and shadowy groves.
When the whole of the fertile plain was at their disposal, why should
they have chosen a site where no vegetation could be reared without
the help of the _sakyeh_ and the _shadouf_? Why should they, of their
own free will, have built their dwellings close to those cliffs in the
Libyan chain which give off at night the heat they have absorbed from
the sun during the day? The buildings of Medinet-Abou are immediately
at the foot of the hill _Gournet-el-Mourraï_, which detaches itself
from the chain near the southern extremity of the Theban necropolis,
and thrusts itself forward, like a cape into the sea, towards the
outer limits of the cultivated ground.
Public-domain text, read in full here on John Shaqi.
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