A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[9] A careful examination of these tablets has yet to be made;
at present we are without any information as to their probable
uses. The authors of the _Description_ thought it likely that
they were meant to receive metal trophies of some kind. They
might have been covered with a painted decoration, or they might
have been intended to be cut into barred windows and left
unfinished. In the photographs the stone of which they are made
seems to be different in grain from the rest of the walls.
It is difficult to admit that such a building as this was never
utilized. We may well believe that it was never built for permanent
occupation, but we must not therefore conclude that chambers so well
lighted and so richly decorated were without their proper and
well-defined uses. The floors of the first and second stories have
disappeared, but that they once existed is proved by the staircase,
part of which is still in place. The floors were of wood; the stairs
of stone. The general economy of the building shows that it was
intended that every room, from the ground-floor to the topmost story,
should be used when occasion arose. It is possible that they were
employed as reception rooms for the princes and vassal chiefs who came
together several times a year for the celebration of funerary rites.
In chambers richly decorated like these, and, doubtless, richly
furnished also, people of rank could meet together and await at their
ease their turn to take part in the ceremonies.[10]
[10] EBERS, _L'Égypte, du Caire à Philæ_, pp. 317-318.
Although the pavilion of Medinet-Abou may, then, have no right to the
name of palace, the foregoing observations have justified their
position in this chapter by helping us to understand some of the
conditions imposed upon the Egyptian architect when he had to meet
civil wants. Some of our readers may have expected to find, in this
chapter, a description of a more famous monument, of that _Labyrinth_
of which Herodotus, Diodorus, and Strabo wrote in such enthusiastic
terms.[11]
[11] HERODOTUS, ii. 148; DIODORUS SICULUS, i. 64; STRABO, xvii.
37.
[Illustration: Chipiez del Hibon sc.
THEBES
THE PAVILION OF MEDINET-ABOU
Restored by Ch Chipiez]
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