[54] In his _Histoire de l'Habitation_, VIOLLET-LE-DUC has sought to find the origin of this cornice in an outward curve imparted to the upper extremity of the reeds of which primitive dwellings were made, and maintained by the weight of the roof. He published a drawing in justification of his hypothesis. There are, however, many objections to it. It requires us to admit the general use of the reed as the material for primitive dwellings. Branches which were ever so little rigid and firm could not have been so bent, and yet they are often found in the huts to which we refer. It may even be doubted whether the reeds employed would bear such a curvature as that of the Egyptian cornice without breaking. The first idea suggested by the design of this sarcophagus is that of a large wooden coffer. When we come to look at it a little more closely, however, the imitations of doors and windows and other details incline us to believe that its maker was thinking of reproducing the accustomed aspect of a wooden house. In that case we should have in it a reduction of a building belonging to the closed category of _assembled_ constructions. It is by the study of imitative works of this kind and by comparing with one another the forms originally conceived by carpenters and joiners, and afterwards employed in stone architecture, that, in our chapter upon the general principles of Egyptian construction, we were enabled to attempt a restoration which may be taken as a type of the early wooden architecture (Fig. 83, vol. i.). [Illustration: FIG. 34.--The Sarcophagus of Mycerinus. Drawn in perspective from Perring's elevations.] The foregoing observations may be applied with equal justice to the sarcophagus of Khoo-foo-Ankh figured on pp. 183, 184, vol. i. It is of the same period, and displays the same arrangement of panels and fillets, the same lotus-leaf ornament, and the same imitation of a barred window. There is no cornice or gorge at the top, but the upper part of the flat sides is decorated with the perpendicular grooves which are found in the hollow of the cornice elsewhere. In wood this ornament, which was well adapted to add richness to the cornice by the shadows which it cast, could easily be made with a gouge; so that even if the gorge itself was not borrowed from wooden construction its ornamentation may well have originated in that way.