A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The number of its parts and their complicated arrangement, the leaves
painted upon it and its general proportions, show that this column was
the product of an art much more advanced than that of Beni-Hassan.
Between the first and second Theban empires the form of the column
underwent a development similar to that which we have already
described in the case of the pier. Its surface became less
incoherently irregular; its horizontal section betrayed a constantly
increasing tendency towards a circular form. Moreover, like the
edifices of which it formed a part, as it increased in size it turned
its back upon its monolithic origin and became a carefully constructed
succession of horizontal courses.
Thus we arrive, under the New Empire, at a column of which we find
several varieties in the buildings at Thebes. Its proportions are
various, and so are the methods in which it is capped and decorated.
The variant which preserves most resemblance to the column from
Beni-Hassan is found at Luxor (Fig. 77)[98]. It is faggot-shaped like
its prototype, but the natural origin of its forms is much less
clearly marked. The capital recalls a bunch of lotus-buds in a very
slight degree, the stems are not frankly detached one from another and
the ligatures are repeated in unmeaning fashion. We feel that with the
passage of time the original combination has lost its early
significance.
[98] EBERS, _L'Égypte_, p. 185.
The change becomes still more striking when we turn to another column
from the New Empire, from Medinet-Abou (Fig. 78). The lotiform type
may still be recognised, but the shaft is no longer faggot-shaped,
except in a rudimentary fashion and over a very small part of its
surface. There is a ligature just below the capital, but the latter
is encircled by a smooth band and is decorated with the uræus; the
bottom of the slightly tapering shaft springs from an encircling band
of painted leaves.
[Illustration: FIG. 77.--Column at Luxor; _Description_, vol. iii.,
pl. 8.]
[Illustration: FIG. 78.--Column at Medinet-Abou:; _Description_, vol.
ii., pl. 4.]
Side by side with the type which we have just described we find
another to which the hollow outward curve of the capital has given the
name of _campaniform_. Nothing like it is to be found at Beni-Hassan,
and no example, in stone, is extant from an earlier time than that of
the Second Theban Empire.[99] The base is small. The flutes or
separate stems have disappeared. The shaft is either smooth or
decorated with bas-reliefs and inscriptions. The ligatures under the
capital are still introduced. The springing of the capital is
decorated with leaves and flowers painted in brilliant colours. A
cubic abacus or die of stone stands upon the circular surface of the
capital and transmits the resisting power of the column to the
architrave.
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