A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[99] We shall call attention, however, to a hypogeum at Gizeh,
which is numbered 81 in Lepsius's map of that tomb-field. As at
Beni-Hassan the chamber is preceded by a portico. In Lepsius's
drawing (vol. i. pl. 27, fig. 1), the columns of this portico
are campaniform.
The proportions and general appearance of the shaft vary greatly. In
the first court at Medinet-Abou it is short and stumpy, and the
capital alone has received a few ornaments in relief.
In the Great Hall at Karnak, on the other hand, it is taller, more
graceful in form and richer in decoration than in any other Egyptian
building (Fig. 80). To give an idea of the colossal dimensions of
these columns we need only repeat the often-made assertion that a
hundred men can sit upon the upper surface of their capitals, which
measure no less than 70 feet in circumference.
[Illustration: FIG. 79.--Column at Medinet-Abou; _Description_, vol.
ii., pl. 6.]
The shafts of both these columns diminish gradually from base to
summit. The diminution is so slight that it is hardly perceptible by
the eye. In the hypostyle hall of the Ramesseum (Fig. 81), on the
other hand, it tapers rapidly. The columns in the central aisle come,
by their proportions, midway between the thick-set type of
Medinet-Abou and the lofty shafts of Karnak. Their lower parts have
the bulbous form which we have already noticed in speaking of the
lotiform type of column. The painted and sculptured ornament, although
not so rich as that of Karnak, covers about one half of the whole
surface.
We may cite, as showing interesting variations upon the campaniform
type, the column of Soleb, dating from the eighteenth dynasty (Fig.
82), and that of Thothmes, from Karnak (Fig. 83). The capital of the
former seems to have been suggested by a bunch of palm leaves arranged
about a central post. In curving outwards the extremity of each leaf
forms a lobe, which is shown in the plan (Fig. 82). The architect here
made free use of the forms occurring in nature, but in the Ptolemaic
temples we find the palm tree copied in a far more literal fashion.
There are capitals at Esneh composed of palm branches grouped in
stages about the central shaft and copied leaf for leaf. Sometimes, as
at Philæ, we even find date clusters mingled with the leaves.
[Illustration: FIG. 80.--Column from the Great Hall at Karnak;
_Description_, iii. 30.]
[Illustration: FIG. 81.--Column from the Hypostyle Hall of the
Ramesseum; from Horeau.]
The other capital to which we have alluded as occurring in the work of
Thothmes at Karnak, is shaped like a suspended bell. The upper part of
the shaft swells slightly so as to coincide with the outer rim of the
bell; it is encircled with fillets below which is cut a vertical band
of hieroglyphs. The capital is decorated with leaves growing downwards
and on the whole it may be taken as showing the companiform type
reversed.
[Illustration: FIG. 82.--Column of Soleb; from Lepsius, part i., pl.
117.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account