A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The faggot-shaped column (Fig. 90) is not to be explained by any
theory of development from the pier. We have reproduced its upper and
lower extremities, together with the entablature and flat roof which
it supports. The extreme nakedness of the base given by the Egyptians
to their columns is a curious feature. Shaft and capital may be carved
into various shapes and adorned with the most brilliant colours, but
the base is always perfectly bare and simple. Between one column and
another there is no difference in this respect except in size. The
only attempt at ornamentation ever found is a narrow band of
hieroglyphs engraved, as at the Ramesseum, round its circumference
(Fig. 91). On the other hand, the lower part of the shaft is always
richly decorated. The principal element in this decoration is the
circlet of leaves which are found both in the faggot-shaped columns
and in those whose shafts are smooth. In the latter, however, the
ornament is carried farther than in the former. Slender shoots are
introduced between the larger leaves, which mount up the shaft and
burst into leaf at the top. Above these, again, come the royal ovals,
surmounted by the solar disk between two uræus serpents.
In the upper part of the column of Thothmes (Fig. 90), the pendants
which fill the re-entering angles and the four rings at the top of the
shaft, the pointed leaves and other ornaments of the capital, are
rendered conspicuous by being painted in colours, yellow and blue,
which will be found reproduced in Prisse's plate. We should have liked
to give one of these columns with all its coloured decorations, but we
hesitated to do so because we were not satisfied with the accuracy as
to tone and tint of those coloured plates which had been introduced
into previous works. And we wished to give no coloured reproductions
except those made expressly from the monuments themselves, as in the
case of the tomb from the Ancient Empire whose painted decorations are
produced in plates xiii. and xiv.
It will be observed that in this case the abacus does not extend
beyond the architrave, as it does in the Doric order of the Greeks.
Public-domain text, read in full here on John Shaqi.
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