A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We have given a column from the central aisle of the Great Hall at
Karnak, as affording a good type of the bell-shaped capital (Fig. 80).
We also give an example, with slight variations, from the Ramesseum
(Fig. 92). It comes from the principal order in the hypostyle hall,
and shows Egyptian architecture perhaps at its best. The profile of
the capital combines grace with firmness of outline in the most happy
manner. By dint of closely examining and comparing many reproductions
we have succeeded, as we believe, in giving a more exact rendering
of its curves than any of our predecessors. Leaves and flowers are
most happily arranged, and are painted also with an exquisite finish
not to be found elsewhere. The decoration as a whole is of
extraordinary richness. The royal ovals, with the disk of the sun and
the uræus, encircle the shaft; vultures with outspread wings cover the
ceiling, and the architrave is carved on its visible sides, with long
rows of hieroglyphs.[103]
[103] The slabs of which the roof is formed are grooved on their
upper surfaces at their lines of junction (see Fig. 92), a
curious feature which recurs in other Egyptian buildings, but
has never been satisfactorily explained.
[Illustration: FIG. 86.--Osiride pier; Medinet-Abou]
[Illustration: FIG. 87.--Hathoric pier from Eilithya. Lepsius, part
i., pl. 100.]
[Illustration: FIG. 88.--Hathoric pier from a tomb. Boulak.]
Of the derived and secondary forms of the campaniform capital there
are but two upon which we need here insist. The first is that which is
exemplified by the columns of a temple built by Seti I. at Sesebi, in
Nubia (Fig. 93). It is very like the one at Soleb already figured
(Fig. 82). The motive is the same, but the Sesebi example shows it in
a more advanced stage of development. Its forms are fuller and more
expressive, and the palm branches from which the idea is derived are
more frankly incorporated in the design. It is not an exact copy from
nature, as at Esneh, but a good use has been made of the fundamental
vegetable forms.
[Illustration: FIG. 89.--Column at Kalabché; from the elevation of
Prisse.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account