A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
As for the campaniform capital we find it difficult to allow that it
represents the open flower of the lotus. From a certain distance it no
doubt resembles the general lines of some flowers, but those belong to
the family of the _Campanulaceæ_ rather than to that of the
nymphæaceæ. The profile of this inverted bell, however, does not seem
to have been suggested by the wish to imitate any flower whatever,
least of all that of the lotus. The capitals at Soleb and Sesebi
(Figs. 82 and 93) embody careful imitations of, at least, the general
shapes and curves of date-tree branches. Here there is nothing of the
kind. There is not the slightest indication of the elongated and
crowded petals of the lotus. Both at Karnak and at the Ramesseum, the
latter may be easily recognised among the stalks of papyrus and other
freely imitated flowers, but _upon_ the columns and not in their
shapes. Both base and capital were ornamented with leaves and flowers.
Their contours have been gently indicated with a pointed instrument
and then filled in with brilliant colours, which help to relieve them
from their ground. The whole decoration is superficial; it is not
embodied in the column and has no effect upon its general form and
character.
The following explanation of the resemblances which do undoubtedly
exist between certain details of Egyptian architecture and the forms
of some of the national plants, is the most probable. The stalks of
the lotus and the papyrus are too weak and slender ever to have been
used as supports by themselves, but it is quite possible that on
_fête_ days, they were used to decorate pillars and posts of more
substantial construction, being bound round them like the outer sticks
of a faggot. This fashion has its modern illustration in the Italian
habit of draping the columns of a church with cloth or velvet on
special occasions, and in the French custom of draping houses with
garlands and white cloth for the procession of the _Fête Dieu_.
The river and the canals of Egypt offered all the elements for such a
decoration. The lotus and papyrus stems would be attached to the
column which they decorated, at the top and bottom. The leaves at the
roots would lie about its base, those round the flower and the flower
itself would droop gracefully beneath the architrave, would embrace
and enlarge the capital when it existed, or supply its place when
there was none. The eyes of a people with so keen a perception of
beauty as the Egyptians could not be insensible to the charm of a
column thus crowned with the verdure of green leaves, with the
splendour of the open flower and with the graceful forms of the still
undeveloped bud. It is probable enough that the architect, when he
began to feel the necessity for embellishing the bare surface of his
column, took this temporary and often-renewed decoration for his
model.
Public-domain text, read in full here on John Shaqi.
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