A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The lotus seems to us to have no more right than the papyrus to be
considered the unique origin of the forms which we are considering.
All those resemblances, of which so much has been made, sink to very
little when they are closely examined. It requires more than good will
to recognize the formless _folioles_ which cluster round the base of
the stalk in those large and well-shaped triangular leaves with
parallel ribs, which decorate the bases of Egyptian columns. Moreover,
these leaves reappear in other places, such as capitals, in which, if
this explanation of their origin is to be accepted, they could have no
place. They frequently occur, also, at the foot of a wall. As for the
true circular leaf of the lotus, it is not to be found, except,
perhaps in a few Ptolemaic capitals. Its stem, concealed almost
entirely by the muddy water, is very slender, and is hardly more
suggestive than that of the papyrus of a massive stone column. The
bulbous form of the lower part of the shaft would be a constant form
if it were an imitation of nature, whereas it is, in fact,
exceptional. With the capitals, however, it is different. Those which
are to be found at Thebes are referred, by common consent, to the
lotus-bud. And yet, perhaps, they resemble any other bud as much as
that of the lotus. It is, however, when they are fully open, that one
flower is easily distinguishable from another by the shape and number
of their petals, as well as by the variety of their colours. Like
babies in their cradles, unopened buds are strangely alike. But seeing
the place occupied by the lotus in the minds of the Egyptians, in
their wooden architecture and painted decorations, it is natural
enough to believe that it gave them their first hint for the capital
in question; we have, therefore, not hesitated to use the epithet
lotiform which has been consecrated to it by custom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account