A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
[Illustration: FIG. 42.--Temple in a Royal Park, Kouyundjik; from the
British Museum.]
That the Chaldaean architects were early led to the invention of the arch is
easily understood. They were unable to support the upper parts of their
walls, their ceilings or their roofs, upon beams of stone or timber, and
they had to devise some other means of arriving at the desired result. This
means was not matured all at once. With most peoples the first stage
consisted probably in those corbels or off-sets by which the width of the
space to be covered was reduced course by course, till a junction was
effected at the top; and sometimes this early stage may have been dispensed
with. In some cases, the workman who had to cover a narrow void with small
units of construction may, in trying them in various positions and
combinations, have hit upon the real principle of the arch. This principle
must everywhere have been discovered more or less accidentally; in one
place the accident may have come sooner than in another, and here it may
have been turned to more profit than there. We shall have to describe and
explain these differences at each stage of our journey through the art
history of antiquity, but we may at once state the general law that our
studies and comparisons will bring to light. The arch was soonest
discovered and most invariably employed by those builders who found
themselves condemned, by the geological formation of their country, to the
employment of the smallest units.
The Chaldaeans were among those builders, and they made frequent use of the
arch. They built no long arcades with piers or columns for supports, like
those of the Romans, and that simply because such structures would have
been contrary to the general principles of their architecture. They made no
use, as we have already explained, of those isolated supports whose
employment resulted in the hypostyle halls of Egypt and Persia, in the
naves of Greek temples and Latin basilicas. The want of stone put any such
arrangement out of the question. We have, then, no reason to believe that
their arches ever rested upon piers or upon the solid parts of walls freely
pierced for the admission of light. The type from which the modern east has
evolved so many fine mosques and churches was unknown in Chaldaea. In every
building of which we possess either the remains or the figured
representation the archivolts rest upon thick and solid walls.
Public-domain text, read in full here on John Shaqi.
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