A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Under these conditions the vault was supreme in certain parts of the
building. Its use was there so constant as to have almost the character of
an unvarying law. Every palace was pierced in its substructure by drains
that carried the rain water and the general waste from the large population
by which it was inhabited down into the neighbouring river, and nearly all
these drains were vaulted. And it must not be supposed that the architect
deliberately hid his vaults and arches, or that he only used them in those
parts of his buildings where they were concealed and lost in their
surroundings; they occur, also, upon the most careful and elaborate
facades. The gates of cities, of palaces and temples, of most buildings, in
fact, that have any monumental character, are crowned by an arch, the curve
of which is accentuated by a brilliantly coloured soffit. This arch is
continued as a barrel vault for the whole length of the passage leading
into the interior, and these passages are sometimes very long. Vaults would
also, in all probability, have been found over those narrow chambers that
are so numerous in Assyrian palaces were it not for the universal ruin that
has overtaken their superstructures. Finally, certain square rooms have
been discovered which must have been covered with vaults in the shape of
more or less flattened domes.
[Illustration: FIG. 43.--View of a group of buildings; Kouyundjik; from
Layard.]
We must here call attention to the importance of a bas-relief belonging to
the curious series of carved pictures in which Sennacherib caused the
erection of his palace at Nineveh to be commemorated. Look well at this
group of buildings, which seems to rise upon a platform at the foot of a
hill shaded with cypresses and fruit-laden vines (see Fig. 43). The
buildings on the right have flat roofs, those on the left, and they seem
the most important, have, some hemispherical cupolas, and some tall domes
approaching cones in shape. These same forms are still in use over all that
country, not only for public buildings like baths and mosques, but even
here and there for the humblest domestic structures. Travellers have been
often surprised at encountering, in many of the villages of Upper Syria
and Mesopotamia, peasants' houses with sugar-loaf roofs like these.[163]
Public-domain text, read in full here on John Shaqi.
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