A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The masters of the country could, if they chose, do much to render the
country more healthy, more fertile, more capable of supporting a numerous
population. They might direct the course of the annual floods, and save
their excess. When the land was managed by a proprietory possessing
intelligence, energy, and foresight, it had, especially in minor details, a
grace and picturesque beauty of its own. When every foot of land was
carefully cultivated, when the two great streams were thoroughly kept in
hand, their banks and those of the numerous canals intersecting the plains
were overhung with palms. The eye fell with pleasure upon the tall trunks
with their waving plumes, upon the bouquets of broad leaves with their
centre of yellow dates; upon the cereals and other useful and ornamental
plants growing under their gentle shade, and forming a carpet for the rich
and sumptuous vegetation above. Around the villages perched upon their
mounds the orchards spread far and wide, carrying the scent of their orange
trees into the surrounding country, and presenting, with their masses of
sombre foliage studded with golden fruit, a picture of which the eye could
never grow weary.
No long series of military disasters was required to destroy all this
charm; fifty years, or, at most, a century, of bad administration was
enough.[24] Set a score of Turkish pachas to work, one after the other, men
such as those whom contemporary travellers have encountered at Mossoul and
Bagdad; with the help of their underlings they will soon have done more
harm than the marches and conflicts of armies. There is no force more
surely and completely destructive than a government which is at once idle,
ignorant, and corrupt.
Public-domain text, read in full here on John Shaqi.
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