A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
It is here, therefore, that we must look for the scene of the first
attempts in Asia to pass from the anxious and uncertain life of the
fisherman, the hunter, or the nomad shepherd, to that of the sedentary
husbandman, rooted to the soil by the pains he has taken to improve its
capabilities, and by the homestead he has reared at the border of his
fields. In the tenth and eleventh chapters of Genesis we have an echo of
the earliest traditions preserved by the Semitic race of their distant
origin. "And it came to pass, as they journeyed from the east, that they
found a plain in the land of Shinar; and they dwelt there."[29] The _land_
of SHINAR is the Hebrew name of what we call Chaldaea. There is no room for
mistake. When the sacred writer wishes to tell us the origin of human
society, he transports us into Lower Mesopotamia. It is there that he
causes the posterity of Noah to build the first great city, Babel, the
prototype of the Babylon of history; it is there that he tells us the
confusion of tongues was accomplished, and that the common centre existed
from which men spread themselves over the whole surface of the earth, to
become different nations. The oldest cities known to the collector of these
traditions were those of Chaldaea, of the region bordering on the Persian
Gulf.
"And Cush begat Nimrod: he began to be a mighty one in the earth.
"He was a mighty hunter before the Lord: wherefore it is said, '_Even as
Nimrod, the mighty hunter before the Lord_.'
"And the beginning of his kingdom was Babel, and Erech, and Accad, and
Calneh, in the land of Shinar.
"Out of that land went forth Asshur, and builded Nineveh, and the city
Rehoboth, and Calah,
"And Resen between Nineveh and Calah: the same is a great city."[30]
These statements have been confirmed by the architectural and other remains
found in Mesopotamia. Inscriptions from which fresh secrets are wrested day
by day; ruins of buildings whose dates are to be approximately divined from
their plans, their structure, and their decorations; statues, statuettes,
bas-reliefs, and all the various _debris_ of a great civilization, when
studied with the industrious ardour which distinguishes modern science,
enable the critic to realize the vast antiquity of those Chaldaean cities,
in which legend and history are so curiously mingled.
Public-domain text, read in full here on John Shaqi.
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