A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
It is possible that the palace had some direct outlet to the open
country, so that its inhabitants could escape, unknown to the
population of the city, in time of tumult, or could make a nocturnal
sortie upon an enemy encamped beneath the mound. If there were any such
arrangement it must have consisted of staircases contrived in the mound
itself and closed, perhaps, at their inferior extremities with heavy
bronze doors. No traces of such passages have been found. But even on
the side towards the city, the side on which lay the natural approach
to the palace, there is no sign of any ramp or staircase by which the
forty-six feet of difference between the levels of the platform and the
soil upon which the city was built, could be overcome. The palace had
two great monumental façades, each pierced with three large openings
flanked by winged bulls. One of these façades (that in front of the
hall lettered I on the plan) formed one side of a spacious rectangular
court (H) and faced towards the north-east. Some of the buildings
surrounding this court have entirely disappeared (see plan), but it is
certain that it communicated with the platform of the city walls and
that of the palace itself by one opening or more. On the north-eastern
side Thomas has placed a wide and easy inclined-plane by which horses
and other beasts of burden could mount to the platform, so that the
king’s chariot could deposit him at the very door of his apartments,
and the heavily laden mules and bullocks could deliver their loads in
the store rooms which occupied the whole eastern angle of the mound.[17]
The other façade occupies the middle of the south-eastern face and is
turned towards the town. It forms a majestic propylæum (Fig. 5) through
which the largest of the courts is reached (A on the plan). In the more
stately of the city gates foot prints may be traced, while in those
that are less ornamental there are marks of wheels, suggesting that
some entrances were reserved for pedestrians and others for carriages.
It is likely enough that a similar arrangement obtained in the palace,
and that in front of this south-eastern gateway there was a flight of
steps instead of a continuous ramp. We find such an arrangement at
Persepolis where both steps and balustrade, being cut in the rock,
are still in good preservation; at Khorsabad, however, there is now
no vestige of such a staircase. If the steps have not been carried
away they must lie entombed at the very bottom of the _débris_.
We cannot say then that our restoration is, in this particular,
beyond contention, but it is both probable in itself and entirely in
the spirit of Assyrian architecture. These steps must have been the
shortest way from the town to the palace. Horsemen, chariots, convoys
of provisions had to make a détour and reach both the palace platform
and that of the city walls by the south-eastern ramp.
Public-domain text, read in full here on John Shaqi.
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