A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
We do not multiply examples of the vessels used to transport liquids,
because their decorative forms were found pretty equally distributed
all over Chaldæa and Assyria. We have every reason to believe that
they were produced in great numbers in all the towns of Mesopotamia.
On the other hand, there is a whole class of vessels that perplex
and embarrass archæologists almost as much as they delight them--the
class of _metal cups_. This name is to some extent a misnomer.
We shall employ it for the sake of simplicity, but most of the objects
in question are rather what we should call dishes or platters than
cups. They belong to the same class as the Greek φιύλη and the Roman
_patera_. Their vertical section is shown at the bottom of our
Fig. 208. The slight ridge underneath, caused by the gentle elevation
of the flat bottom, enabled the dish to be more firmly grasped than
would otherwise have been possible.
[Illustration: FIG. 208.--Bronze platter. From Layard.]
Such things must have been comparatively rare and costly. In a
store-room of the North-Western Palace at Nimroud, Layard found a great
number of them, packed one within another in cauldrons like those
mentioned above; others, of less value no doubt, were stacked against
the wall. At first the explorers were inclined to think that they all
dated from the reign of Assurnazirpal, the founder of the building; but
many things combined to suggest that the palace was repaired by Sargon
and even inhabited by him.[409] He may have lived there until his own
house at Khorsabad was finished. It is possible, therefore, that some
or all of these cups date from the eighth century B.C.
Public-domain text, read in full here on John Shaqi.
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