A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In many instances oxydization had gone so far that the cups could
not be lifted without falling to pieces; others, however, though
covered with a thick coat of oxide, were brought away and successfully
cleaned.[410] At the British Museum I compiled a catalogue of
forty-four plates or cups of this kind, nearly all from the same
treasure, while in the store rooms of the same institution there are
many more waiting to be cleaned and rendered fit for exhibition. All
these, with a few exceptions, are ornamented, the simplest among them
having a star or rosette in the centre. Wherever the bronze has not
been completely eaten away the decoration may be recovered, and often
it is still singularly clear and sharp. A few cups that had been
protected by those placed above them showed, when discovered, such
brilliant copper tones that the workmen at first thought they were of
gold. The mistake was soon recognized, but we may well believe that
the conquerors of half Asia numbered gold and silver vessels among the
treasures stored in their palaces; as yet, however, none have been
found. All these cups, like the deeper vessels recovered at the same
time, were of bronze; the precious metals only appear in the form of
small inlays and incrustations in the alloy. In the centre of the
rosettes with which some of the bands are decorated a small silver
stud, slightly raised above the rest of the surface, is sometimes
placed, and in a few cases the points of the great rosette that
occupies the centre of the plate radiate from a centre of gold, silver
being banished to the small rosettes at the edge. Again, the middle is
sometimes a kind of boss, over the whole of which traces of gold may
still be distinguished.
The decoration of these _pateræ_ is always inside: on the outside
nothing is to be seen but the confused reverse of the pattern, such as
may be seen on the left of our Fig. 208. I have found but one exception
to this rule in a much deeper cup on the outside of which a lion hunt
is represented.[411] In that case figures engraved within the vase
would have been invisible, for it is very deep.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account