A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In the western angle of the platform stands the isolated and
irretrievably ruinous building taken by Botta for a temple, and
restored by Thomas as a throne room.[22] In either case it played its
part in the official and public life of the king. We may say the same
of the building near the centre of the south-western face of the mound,
in which we have recognized a temple, although we have not scrupled to
make use of the title given to it by M. Place. The chief sanctuary of
the town that lay so far below its summit, it must have been the scene
after each campaign, of the royal homage to Assur; the observatory of
the astrologers, it must have had constant and intimate relations with
the palace, where the bulletins issued from it must have been awaited
with anxiety whenever the propitious moment for any great enterprise
was sought.
At the southern angle of the seraglio and to the south-east of the
_Observatory_, there is an almost completely separate building.
Its isolation, the few points of access and the way they are arranged,
the style of its decorations, their richness, and the disposition of
its chambers, all combine to suggest that this part of the palace
was the royal harem. An inscription upon the threshold of one of the
rooms confirms this conjecture; it prays for the blessing of fertility
upon the royal alliances.[23] In our Fig. 6 we give a large scale plan
on which its arrangements may be more easily followed. The total area
of the harem was about 10,912 square yards.
[Illustration: FIG. 6.--Plan of the harem in Sargon’s
palace; from Place.]
Public-domain text, read in full here on John Shaqi.
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