A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The preoccupation to which we have just alluded, the love for an
agreeable effect, is strongly marked in several things which are
now always left without ornament. A single example will be enough
to show the difference. Nowadays all that we ask of a comb is to
do its duty without hurting the head or pulling out the hair; that
its teeth shall be conveniently spaced and neither too hard nor too
pliant. These conditions fulfilled, it would not be out of place in
the most luxurious dressing-room. The ancients were more exacting, as
a series of ebony combs in the Louvre is sufficient to show (Figs.
227–229).[439] They have two rows of teeth, one coarse, the other
fine, and each is ornamented in the middle with a figure in open-work
(Figs. 228–229) or raised in relief on a flat bed (Fig. 227). Only a
part of the latter comb is preserved. The frame round the figures is
cut into the shape of a cable above and below, and into rosettes at the
ends. On one side of the comb there is a walking lion, on the other the
winged sphinx shown in our engraving. Its body is that of a lion, it
is mitred and wears a pointed beard. In the second example we have a
lion with lowered head within a frame with a kind of egg moulding. The
forms are so heavy that at first we have some difficulty in recognizing
the species. In our last specimen both design and execution are much
better. A lion is carved in the round within a frame ornamented with
a double row of zig-zag lines. The modelling has been carried out by
a skilful artist and is not unworthy of a place beside the Ninevite
reliefs.
[Illustration: FIG. 227.--Comb. Actual size. Louvre.]
We know of nothing among the spoils of Assyria that can be compared to
those wooden spoons that the Egyptian workman carved with so light a
hand;[440] but two objects found at Kouyundjik prove that the Assyrians
knew how to give forms elegant and graceful enough, though less
original, to objects of the same kind. One of these is a bronze fork,
the other a spoon of the same material. Cables, zig-zags, and beads
are used to ornament them, and the whole is a good example of Assyrian
taste in little things.
[Illustration: FIG. 228.--Comb. Actual size. Louvre.]
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