A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
So far we have treated Assyrian metal-work of the ornamental kind only
as it is seen in bronze. Hardly any objects of gold or silver have,
in fact, been discovered in Mesopotamia. And yet it is impossible
that those two metals can have been very rare in the Nineveh of the
Sargonids or the Babylon of Nebuchadnezzar; war and industry certainly
led to considerable accumulations of both. We must find a reason for
their absence in the success with which the Assyrian tomb has so far
avoided discovery. The tomb alone could offer a safe asylum to such
treasures, and preserve them in its shadows for the inquisitive eyes
of modern archæologists. Before being abandoned to the slow effects of
time, the temples and palaces were pillaged. Here and there, however,
in some well contrived hiding-place or forgotten corner, a few trinkets
may have escaped the eyes of greedy conquerors, or of the later
marauders who sounded the ruins in every direction for the sake of the
precious metals they might contain.
[Illustration: FIG. 229.--Comb. Actual size. Louvre.]
The oldest jewels left to us by these peoples are those found in the
most ancient tombs at Warka. Their forms are simple enough--bronze
bracelets made of a bar tapering rapidly to each end and beaten with a
hammer into a slight oval (Figs. 232, 233). These bars are sometimes
very thick, as our first example shows. The golden ear-drops from the
same tombs (Fig. 234) are made in the same way.
At Nineveh the art is more advanced. We may form our ideas of it from
the bas-reliefs, where people are shown with jewels about their arms,
their necks, and hanging on their cheeks; and also from a few original
specimens that have escaped the general wreck. In the foundations of
Sargon’s palace, under the massive threshold, were found too, together
with a large number of cylinders, the remains of necklaces made up
of pierced stones, such as carnelian, red and yellow jasper, brown
sardonyx, amethyst, &c., cut into cylinders, polygons, medallions,
and into the shapes of a pear and of an olive or date-stone (Fig.
235). This use of precious stones was a survival from the days when
pebbles were turned to the same purpose. Earrings were made in the same
fashion (Figs. 236, 237). In one of the reliefs we see a eunuch wearing
a necklace in which double cones alternate with disks (Fig. 238).
The same elements could of course be used for bracelets or armlets,
by shortening the wire on which they were strung. From an art point
of view such a jewel was quite primitive; all its beauty lay in the
rich colours of its separate stones, among which beads of glass and
enamelled earthenware have also been found.
[Illustration: FIGS. 230, 231.--Bronze fork and spoon;
from SMITH’S _Assyrian Discoveries_.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account