A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In a great bee-hive like modern China, where men swarm in countless
millions, work is not only done cheaper, it is done better than among
the poor and scanty tribes that peopled the shores and narrow valleys
of Greece and Italy in those remote days when Memphis and Babylon were
still great capitals. These small clans of fishermen and woodmen, of
shepherds and agriculturists, were cut off from one another by lofty
ridges, which were often to be crossed only by difficult and dangerous
paths. A happy chance or a well directed effort of thought might lead
one of them to discover some technical secret, but a long time would
elapse before the invention would cross the mountains and simplify
the toil of the neighbouring tribes. In that western world which
remained so restless until the eleventh or tenth century before our
era, it constantly happened that a tribe was bitten by a kind of mania
to seek for a new and more favourable home. These displacements put
an end to labour for a time, and brought about shocks and conflicts
by which development was arrested and settled questions reopened. A
canton sacked or a few villages destroyed was enough to put an end to
some promising invention or to destroy the memory of some successful
process. No conquest over natural difficulties was final.
It was quite otherwise in those ancient states which had a population
firmly rooted in the soil, and of industrious, sedentary habits. In
such societies there was no danger of a rude interruption to a work
begun. When some artizan more skilful or imaginative than his fellows
improved the tools of his trade, the knowledge of those improvements
spread rapidly from workshop to workshop. Even in the cities of the
modern East those who follow a particular trade live together in their
own quarter of the town. In Constantinople and Cairo, in Damascus
and Bagdad, there is the armourers’ quarter, the jewellers’ quarter,
that of the saddlers, the tailors, and of many others. These quarters
have their own special entrances, their officers and watchmen; in the
days of antiquity as now, they formed so many small industrial towns,
where, thanks to the heredity of professions and the constancy of
habits and fashions, the prosperity of the manual arts was not at the
mercy of political accident. Wars and changes of dynasty might cause
a moment of stagnation and dulness, but such troubles did not prevent
the apprentice from receiving from his master the instruction in his
trade that he would afterwards pass on to his successors, with all that
he himself could add to the legacy of the past. There were no sudden
interruptions, no solutions of continuity: all that was found was kept;
nothing was forgotten or wasted.
Public-domain text, read in full here on John Shaqi.
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