A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Until the still distant day when Ionia, Greece, and Italy should also
have their populous cities, Egypt and Chaldæa found themselves in a
very favourable situation compared with the peoples, or rather tribes,
who dwelt on the shores of the Mediterranean. Among the latter none
but those simple industries that could be carried on under the family
roof, and in which the women and children could take their part, were
understood. In the basins of the Nile and the Euphrates there were
real manufactures. Artizans were specially trained and grouped into
corporations; they did not work only in the hours they could spare from
agriculture; they laboured at their trade without interruption from
one end of the year to the other, producing objects which commerce
would afterwards “place” where the demand was brisk. In fact they had
a real, we might almost say a great industry. Beside the machine-fed
industry of modern Europe its output was no doubt small; neither Egypt
nor Chaldæa had steam, nor electricity, nor the “spinning-jenny;” but
their organization and division of labour gave them a superiority
over their contemporaries no less crushing than that by which modern
Europe is enabled to flood the whole surface of this planet with her
manufactures, and to substitute them for the local industries. In
every little village of Anatolia I found the cottons of Manchester and
the blue plates of Creil; they could be bought cheaper than native
pottery and textiles. It was the same in antiquity. In the islands and
on the coasts of the Ægæan, there was no competition to be feared by
the faïence, the vessels of terra-cotta or metal, the textiles, the
arms, the ivories, the glass, the utensils of every shape and kind sent
out in such inexhaustible quantities from the workshops of Egypt and
Chaldæa.
Public-domain text, read in full here on John Shaqi.
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