A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The most important of these buildings, and the most interesting, is
the ruin at Warka, which Loftus calls _Wuswas_ (Fig. 172, Vol.
I., letter B on the plan).[34] Unfortunately his explorations were
very partial and his description is very summary, while his plan of
the ruin only gives a small part of it (Fig. 9). There is, however,
enough to show the general character of the structure. The latter stood
upon a rectangular mound about 660 feet long and 500 wide. In spite
of the enormous accumulation of rubbish, Loftus succeeded in making
out an open door in the outer wall, and several chambers of different
sizes communicating with a large court. There was the same thickness
of wall and the same absence of symmetry as at Khorsabad; the openings
were not in the middle of the rooms. In the long wall, decorated with
panels and grooves, which still stands among the ruins to a height of
about twenty-four feet and a length of about 172 feet, the posterior
façade, through which there was no means of ingress and egress, may be
recognized. We have already copied Loftus’s reproduction of this façade
for the sake of its decoration (Fig. 100, Vol. I.).
[Illustration: FIG. 9.--Plan of a palace at Warka; from
Loftus.]
The building at Sirtella (_Tello_) in which M. de Sarzec
discovered such curious statues, was less extensive; it was only
about 175 feet long by 102 wide. The faces of the parallelogram were
slightly convex, giving to the building something of the general form
of a terra-cotta tub (Fig. 150, Vol I.). Here the excavations were
pushed far enough to give us a better idea of the general arrangement
than we can get at Warka. A great central court, about which numerous
square and oblong apartments are arranged, has been cleared; there is
a separate quarter, which may be the harem; at one angle of the court
the massive stages of a _zigguratt_ may be recognized. The walls
are entirely of burnt brick. They are decorated only on the principal
façade, where the ornaments belong to the same class as those of
Wuswas--semi-columns mixed with grooves in which the elevation of a
stepped battlement is reproduced horizontally.
In none of the ruins of habitations found in this district by the
English explorers, were the chambers other than rectangular. Taylor
cleared a few halls in two buildings at Mugheir (Fig. 10) and
Abou-Sharein (Figs. 11 and 12) respectively. Both of these stood on
artificial mounds, and it is difficult to believe that they were
private dwellings. The walls of several rooms at Mugheir seemed to have
been decorated with glazed bricks; at Abou-Sharein there was nothing
but roughly painted stucco. In one chamber the figure of a man with a
bird on his fist might yet be distinguished.
[Illustration: FIG. 10.--Plan of chambers at Mugheir;
from Taylor.]
[Illustration: FIG. 11.--Plan of chambers at
Abou-Sharein; from Taylor.]
[Illustration: FIG. 12.--Plan of chambers at
Abou-Sharein; from Taylor.]
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