A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The site of this famous city has been much discussed,[48] but at last
the question appears to be settled. Nineveh was built on the left
bank of the Tigris, opposite to the site occupied by modern Mossoul.
Two great mounds rising some five-and-thirty feet above the level of
the plain, represent the substructures upon which the royal homes
of the last Assyrian dynasty were raised; they are now famous as
_Kouyundjik_ and _Nebbi-Younas_. Like the mound of Khorsabad
these two artificial hills were in juxtaposition with the city walls,
which may still be traced in almost their whole extent by the ridge of
earth formed of their materials (Fig. 18).
[Illustration: FIG. 17.--Upper chambers excavated at
Nimroud; from Layard.]
The mound of Nebbi-Younas has so far remained almost unexplored. It is
fortified against the curiosity of Europeans by the little building
on its summit and the cemetery covering most of its surface. The
inhabitants of the country, Mussulman as well as Christian, believe
that Jonah lies under the chapel dome, and they themselves hope to rest
as near his body as possible. Some slight excavations, little more than
a few strokes of the pick-axe, have been made in the scanty spots where
no graves occur, but enough evidence has been found to justify us in
assuming that Nebbi-Younas also hides its palaces. They too will have
their turn. Thanks to the prestige of the prophet they are reserved for
excavations to be conducted perhaps in a more systematic fashion than
those hitherto undertaken on the site of Nineveh.
[Illustration: FIG. 18.--Map of the site of Nineveh;
from Oppert.]
[Illustration: FIG. 19.--Plan of the mound of
Kouyundjik; from Rassam’s _Transactions_.]
At Kouyundjik, on the other hand, no serious obstacle was encountered.
The village transported itself to the plain; it was not necessary to
persuade the inhabitants to quit it, as it had been at Khorsabad. When
Botta, who had begun certain inquisitions at this spot, abandoned his
attempts, the English explorers were left free to sound the flanks
of the artificial hill at their leisure, and to choose their point
of attack. If they had gone to work in the same fashion as Botta and
Place, they might have laid bare palaces excelling that of Sargon in
the scale and variety of their arrangements. Of this we may judge from
Mr. Rassam’s plan (Fig. 19). But after the departure of Mr. Layard the
excavations, frequently interrupted and then recommenced after long
intervals, aimed only at discovering such objects as might figure in a
museum. A trench was opened here and another there, on the inspiration
of the moment. The explorers often neglected to measure the buildings
in which they were at work, so that we have only partial plans of the
two principal buildings of Nineveh, those palaces of Sennacherib and
Assurbanipal from which so many beautiful monuments have been taken to
enrich the British Museum.
Public-domain text, read in full here on John Shaqi.
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