A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The differences to which we have pointed are to be explained by other
and more simple reasons. In Egypt the temple has survived the palace
because it was a dwelling built for an immortal occupant, and therefore
the most durable materials, stone and granite, were used; while the
palace, being no more than the resting-place of a day, a shelter raised
among waving palms and flowing streams for the passenger through
this life to the next, had to be content with brick and timber. In
Mesopotamia, on the other hand, the same materials were used for the
dwellings both of gods and kings; and the same system of construction,
a system dictated by the climate, was applied to both classes of
buildings. It is not true that one group was neglected for the other,
that Mesopotamian civilization took less trouble for Marduk, for Istar
and Assur, than for its conquering princes; it is inaccurate to say
that her palace architecture was all that Assyria had to show. The tomb
was larger and more important in Egypt than in Mesopotamia, but in
the latter country the temple was the object of as much care, both in
construction and decoration, as the palace. Its arrangement was more
interesting and far more original, and its outward decoration no less
rich. In Babylon, at least, the inscriptions in which the kings recount
their exploits for the admiration of posterity, speak oftener and
with more pride of temples than of palaces. The remains of the latter
are more complete simply because their chief development was over the
surface of the ground, while that of the temples was toward the sky.
With materials such as those of which both the one and the other were
built it was inevitable that tall buildings should come to ruin before
low ones. Moreover, their most interesting parts were on the exterior
and more especially about their summits. Ramps and sanctuaries with
their surface decorations must have begun to disappear as soon as daily
care ceased to be lavished upon them. The solid interior alone would
be preserved, and, before many years were over, the degradation of
its substance would make it a shapeless heap of clay. The palace, of
course, burnt-in the first place and then abandoned to the slow action
of time, can have met the forces of destruction with no better effect
than buildings of marble and granite did elsewhere; but it inclosed
great empty spaces, wide quadrangles, long galleries, and spacious
chambers. In their fall ceilings and the heads of walls filled up these
voids and buried their inclosing walls to a considerable height in a
deep bed of protecting rubbish. This had only to be taken away to lay
bare the whole plan of the building and much of its ornamentation. We
can thus become much more intimately acquainted with the palace than
with the temple, but we have no right thence to conclude that the
former was the favourite work of the Chaldæan architects, or that it
contained the last word of their talent and taste.
Public-domain text, read in full here on John Shaqi.
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