I take this opportunity of expressing my thanks to Monsieur F. Thureau-Dangin, Conservateur-adjoint of the Museums of the Louvre, for allowing me last spring to study unpublished historical material in his charge. The information he placed at my disposal I found most useful during subsequent work in the Ottoman Museum at Constantinople shortly before the war. Reference has already been made to my indebtedness to Professor Clay, who has furnished me from time to time with other unpublished material, for which detailed acknowledgment is made in the course of this work. With Professor C. F. Burney I have discussed many of the problems connected with the influence of Babylon upon Hebrew literature; and I am indebted to Professor A. C. Headlam for permission to reprint portions of an article on that subject, which I contributed in 1912 to the _Church Quarterly Review._ To Dr. E. A. Wallis Budge my thanks are due, as he suggested that I should write these histories, and he has given me the benefit of his advice. To him, as to Sir Frederic Kenyon and Mr. D. G. Hogarth, I am indebted for permission to make use of illustrations, which have appeared in official publications of the British Museum. My thanks are also due to Monsieur Ernest Leroux of Paris for allowing me to reproduce some of the plates from the "Mémoires de la Délégation en Perse," published by him under the editorship of Monsieur J. de Morgan; and to the Council and Secretary of the Society of Biblical Archæology for the loan of a block employed to illustrate a paper I contributed to their Proceedings. The greater number of the plates illustrating the excavations are from photographs taken on the spot; and the plans and drawings figured in the text are the work of Mr. E. J. Lambert and Mr. C. O. Waterhouse, who have spared no pains to ensure their accuracy. The designs upon the cover of this volume represent the two most prominent figures in Babylonian tradition. In the panel on the face of the cover the national hero Gilgamesh is portrayed, whose epic reflects the Babylonian heroic ideal. The panel on the back of the binding contains a figure of Marduk, the city-god of Babylon, grasping in his right hand the flaming sword with which he severed the dragon of chaos. L. W. KING. CONTENTS CHAPTER I INTRODUCTORY: BABYLON'S PLACE IN THE HISTORY OF ANTIQUITY