Many other educational works of Komenský could be enumerated; such are _The Violet Bed of Christian Youth_, _The Garden of Letters and of Wisdom_, &c. Komenský worked with particular energy at these works when he, about the year 1632, hoped, as already mentioned, to be able to return to Bohemia and reorganise the schools there. A similar motive induced him to write the curious work entitled _Haggæus Redivivus_, which, in spite of its Latin title, was written in Bohemian, and which has quite recently been published for the first time. In this book Komenský endeavoured to instruct the brethren as to the manner in which they should reorganise their ecclesiastical institution after their return to Bohemia, for which Komenský still hoped. Komenský, probably soon after his arrival at Lissa, began his philosophical, or rather "pansophic" studies; for philosophy was to him still the handmaiden of theology, then already a rather belated standpoint. It has already been mentioned that at Lissa he composed a general plan and a table of contents of his future pansophic works, to which he gave the name of _Synopsis Operis Consultatorii_.[116] Some of these works, such as the _Panegersia_ and _Panaugia_, were afterwards published at Amsterdam; others were destroyed by the fire at Lissa. The first complete philosophical work of Komenský, the _Physica_, was published during his stay at Lissa. The work has now no interest, and is, indeed, a token of Komenský's superficiality and credulity as regards matters of natural history. Statements concerning this subject are by Komenský constantly proved by texts from the Bible in a manner irritating to the modern reader. One of the early "pansophic" works also is the _Via Lucis_, written principally during Komenský's stay in London. The pansophic plans, such as the foundation of a universal language and a universal academy, the mystic use of the word light, occur in this as in all the pansophic works. A short account of the _Via Lucis_ will be my only attempt to elucidate the mysteries of "pansophy." Arid and unattractive as the subject must necessarily appear to the modern intellect, no account that altogether ignored "pansophy" could claim to give a truthful representation of Komenský.