A History of Booksellers, the Old and the NewCurwen, Henry
History
A History of Booksellers, the Old and the New
Curwen, Henry
Book industries and trade -- Great Britain -- History; Booksellers and bookselling -- Great Britain -- History
In 1740 Mr. Rivington and Mr. Osborne proposed that he should write
for them a little volume of letters, which resulted in his first novel
_Pamela_, the publication of which will be treated in our account of
the Rivingtons. This was followed by _Clarissa_, one of the few books
from which it is absolutely impossible to steal away, when once the
dread of its size has been overcome. Though famous now as the first
great _novelist_ who had written in the English tongue, Richardson was
not then above his daily work. He writes to his friend Mr. Defreval,
“You know how my business engages me. You know by what snatches of time
I write, that I may not neglect that, and that I may preserve that
independency which is the comfort of my life. I never sought out of
myself for patrons. My own industry and God’s providence have been my
sole reliance.” In 1754, he was, to the great honour of the members,
chosen master of the Stationers’ Company, the only fear of his friends
being that he would not play the _gourmand_ well. “I cannot,” writes
Edwards, “but figure to myself the miserable example you will set at
the head of their loaded tables, unless you have two stout jaw-workers
for your wardens, and a good hungry court of assistants.”
[Illustration: Samuel Richardson, Bookseller and Novelist. 1689-1761.
(_From a Picture by Chamberlin._)]
The honourable post he occupied shows his position in the trade at this
time. This was improved in 1760, by the purchase of a moiety of the
patent of law-printer, which he carried on in partnership with Miss
Lintot, grand-daughter of Bernard Lintot. He died in the following
year, leaving funeral-rings to thirty-four of his acquaintances, and
adding in his will, “Had I given rings to all the ladies who have
honoured me with their correspondence, and whom I sincerely venerate
for their amiable qualities, it would, even in this last solemn act,
appear like ostentation.” It is impossible in treating of Richardson
not to refer to his vanity; but the love of praise was his only fault,
and it has grown to us, like the foible of a loved friend, dearer than
all his virtues. It is not unpleasant to think that the ladies of
that time, by the way in which they petted, coaxed, and humoured him,
conferred an innocent pleasure upon the truest of all the delineators
of their sex, except perhaps Balzac, who, if he knows it better, is
more unfortunate in his knowledge. With all Richardson’s vanity, he
drew a portrait of himself that is not far removed from caricature.
“Short, rather plump than emaciated, notwithstanding his complaints;
about five feet five inches; fair wig; lightish cloth coat, all black
besides; one hand generally in his bosom, the other a cane in it,
which he leans upon under the skirts of his coat usually, that it may
imperceptibly serve him as a support, when attacked by sudden tremors
or startlings, and dizziness which too frequently attacks him, but,
thank God, not so often as formerly; looking directly foreright as
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