A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
After studying for some months under Canta Gallina, Jacques Callot
left Florence, and proceeded to Rome, to seek his old friend Israel
Henriet; but he had hardly arrived, when he was recognised in the
streets by some merchants from Nancy, who took him, and in spite of
his tears and resistance, carried him home to his parents. He was
now kept to his studies more strictly than ever, but nothing could
overcome his passion for art, and, having contrived to lay by some
money, after a short interval he again ran away from home. This time
he took the road to Lyons, and crossed Mont Cenis, and he had reached
Turin when he met in the street of that city his elder brother Jean,
who again carried him home to Nancy. Nothing could now repress young
Callot's ardour, and soon after this second escapade, he engraved a
copy of a portrait of Charles III., duke of Lorraine, to which he put
his name and the date 1607, and which, though it displays little skill
in engraving, excited considerable interest at the time. His parents
were now persuaded that it was useless to thwart any longer his natural
inclinations, and they not only allowed him to follow them, but they
yielded to his wish to return to Italy. The circumstances of the moment
were especially favourable. Charles III., duke of Lorraine, was dead,
and his successor, Henry II., was preparing to send an embassy to Rome
to announce his accession. Jean Callot, by his position of herald,
had sufficient interest to obtain for his son an appointment in the
ambassador's retinue, and Jacques Callot started for Rome on the 1st
of December, 1608, under more favourable auspices than those which had
attended his former visits to Italy.
Public-domain text, read in full here on John Shaqi.
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