A History of Caricature and Grotesque in Literature and Art — John Shaqi
A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
These lines will serve as a specimen of the popular Latin verse in
which these monkish after-dinner stories were written; but the most
remarkable of these early parodies on religious subjects, is one which
may be described as the supper of the saints; its title is simply
_Cœna_. It is falsely ascribed to St. Cyprian, who lived in the
third century; but it is as old as the tenth century, as a copy was
printed by professor Endlicher from a manuscript of that period at
Vienna. It was so popular, that it is found and known to have existed
in different forms in verse and in prose. It is a sort of drollery,
founded upon the wedding feast at which the Saviour changed water into
wine, though that miracle is not at all introduced into it. It was a
great king of the East, named Zoel, who held his nuptial feast at Cana
of Galilee. The personages invited are all scriptural, beginning with
Adam. Before the feast, they wash in the river Jordan, and the number
of the guests was so great, that seats could not be provided for them,
and they took their places as they could. Adam took the first place,
and seated himself in the middle of the assembly, and next to him Eve
sat upon leaves (_super folia_),--fig-leaves, we may suppose. Cain sat
on a plough, Abel on a milk-pail, Noah on an ark, Japhet on tiles,
Abraham on a tree, Isaac on an altar, Lot near the door, and so with
a long list of others. Two were obliged to stand--Paul, who bore it
patiently, and Esau, who grumbled--while Job lamented bitterly because
he was obliged to sit on a dunghill. Moses, and others, who came late,
were obliged to find seats out of doors. When the king saw that all
his guests had arrived, he took them into his wardrobe, and there, in
the spirit of mediæval generosity, distributed to them dresses, which
had all some burlesque allusion to their particular characters. Before
they were allowed to sit down to the feast, they were obliged to go
through other ceremonies, which, as well as the eating, are described
in the same style of caricature. The wines, of which there was great
variety, were served to the guests with the same allusions to their
individual characters; but some of them complained that they were badly
mixed, although Jonah was the butler. In the same manner are described
the proceedings which followed the dinner, the washing of hands, and
the dessert, to the latter of which Adam contributed apples, Samson
honey; while David played on the harp and Mary on the tabor; Judith led
the round dance; Jubal played on the psalter; Asael sung songs, and
Herodias acted the part of the dancing-girl:--
_Tunc Adam poma ministrat, Samson favi dulcia.
David cytharum percussit, et Maria tympana.
Judith choreas ducebat, et Jubal psalteria.
Asael metra canebat, saltabat Herodias._
Public-domain text, read in full here on John Shaqi.
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