A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
The people of the middle ages, who took their word _fable_ from the
Latin _fabula_, which they appear to have understood as a mere term for
any short narration, included under it the stories told by the mimi and
jougleurs; but, in the fondness of the middle ages for diminutives, by
which they intended to express familiarity and attachment, applied to
them more particularly the Latin _fabella_, which in the old French
became _fablel_, or, more usually, _fabliau_. The fabliaux of the
jougleurs form a most important class of the comic literature of the
middle ages. They must have been wonderfully numerous, for a very large
quantity of them still remain, and these are only the small portion of
what once existed, which have escaped perishing like the others by the
accident of being written in manuscripts which have had the fortune to
survive; while manuscripts containing others have no doubt perished,
and it is probable that many were only preserved orally, and never
written down at all.[40] The recital of these fabliaux appears to have
been the favourite employment of the jougleurs, and they became so
popular that the mediæval preachers turned them into short stories in
Latin prose, and made use of them as illustrations in their sermons.
Many collections of these short Latin stories are found in manuscripts
which had served as note-books to the preachers,[41] and out of them
was originally compiled that celebrated mediæval book called the "Gesta
Romanorum."
[40] Many of the Fabliaux have been printed, but the two principal
collections, and to which I shall chiefly refer in the text, are
those of Barbazan, re-edited and much enlarged by Méon, 4 vols.
8vo., 1808, and of Méon, 2 vols. 8vo., 1823.
[41] A collection of these short Latin stories was edited by the author
of the present work, in a volume printed for the Percy Society in
1842.
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