A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
Thus, when the time of paying came, and the money
was not forthcoming, in the common belief that one of the three had
received the bezant and intended to keep it and cheat the others, they
quarrelled violently, and from abuse soon came to blows. The landlord,
drawn to the spot by the uproar, and informed of the state of the case,
accused the three blind men of a conspiracy to cheat him, and demanded
payment with great threats. The clerk of Paris, who had followed them
to the inn, and taken his lodging there in order to witness the result,
delivered the blind men by an equally ingenious trick which he plays
upon the landlord and the priest of the parish.
Some of these stories have for their subject tricks played among
thieves. In one printed by Méon (i. 124), we have the story of a rich
but simple villan, or countryman, named Brifaut, who is robbed at
market by a cunning sharper, and severely corrected by his wife for
his carelessness. Robbery, both by force and by sleight of hand and
craft, prevailed to an extraordinary degree during the middle ages. The
plot of the fabliau of Barat and Haimet, by Jean de Boves (Barbazan,
iv. 233), turns upon a trial of skill among three robbers to determine
who shall commit the cleverest act of thievery, and the result is, at
least, an extremely amusing story. It may be mentioned as an example
of the numerous stories which the jougleurs certainly obtained from
the East, that the well-known story of the Hunchback in the "Arabian
Nights" appears among them in two or three different forms.
Public-domain text, read in full here on John Shaqi.
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