A subject like this was well fitted for the burlesques on the stalls, and accordingly we find on one of those in the cathedral at Rouen, the group given in our cut No. 81, which seems to represent the part of the story in which both combatants seize hold of the disputed garment, and struggle for possession of it. The husband here grasps a knife in his hand, with which he seems to be threatening to cut it to pieces rather than give it up. The _fabliau_ gives the victory to the husband, but the wife was generally considered as in a majority of cases carrying off the prize. In an extremely rare engraving by the Flemish artist Van Mecken, dated in 1480, of which I give a copy in our cut No. 82. the lady, while putting on the breeches, of which she has just become possessed, shows an inclination to lord it rather tyrannically over her other half, whom she has condemned to perform the domestic drudgery of the mansion. [Illustration: _No. 82. The Breeches Won._] [Illustration: _No. 83. A Legal Combat._] In Germany, where there was still more roughness in mediæval life, what was told in England and France as a good story of domestic doings, was actually carried into practice under the authority of the laws. The judicial duel was there adopted by the legal authorities as a mode of settling the differences between husband and wife. Curious particulars on this subject are given in an interesting paper entitled "Some observations on Judicial Duels as practised in Germany," published in the twenty-ninth volume of the Archæologia of the Society of Antiquaries (p. 348). These observations are chiefly taken from a volume of directions, accompanied with drawings, for the various modes of attack and defence, compiled by Paulus Kall, a celebrated teacher of defence at the court of Bavaria about the year 1400. Among these drawings we have one representing the mode of combat between husband and wife. The only weapon allowed the female, but that a very formidable one, was, according to these directions, a heavy stone wrapped up in an elongation of her chemise, while her opponent had only a short staff, and he was placed up to the waist in a pit formed in the ground. The following is a literal translation of the directions given in the manuscript, and our cut No. 83 is a copy of the drawing which illustrates it:--"The woman must be so prepared, that a sleeve of her chemise extend a small ell beyond her hand, like a little sack; there indeed is put a stone weighing three pounds; and she has nothing else but her chemise, and that is bound together between the legs with a lace. Then the man makes himself ready in the pit over against his wife. He is buried therein up to the girdle, and one hand is bound at the elbow to the side." At this time the practice of such combats in Germany seems to have been long known, for it is stated that in the year 1200 a man and his wife fought under the sanction of the civic authorities at Bâle, in Switzerland.