A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
“The features I admire in Buddhism are those which are coincident with
the principles enunciated in our own sacred books. And I do not think
that, even were the holy sages of old to revisit the earth, they would
fairly be able to denounce these. Now, Han Yü objects to the Buddhist
commandments. He objects to the bald pates of the priests, their dark
robes, their renunciation of domestic ties, their idleness, and life
generally at the expense of others. So do I. But Han Yü misses the
kernel while railing at the husk. He sees the lode, but not the ore. I
see both; hence my partiality for this faith.
“Again, intercourse with men of this religion does not necessarily
imply conversion. Even if it did, Buddhism admits no envious rivalry
for place or power. The majority of its adherents love only to lead a
simple life of contemplation amid the charms of hill and stream. And
when I turn my gaze towards the hurry-scurry of the age, in its daily
race for the seals and tassels of office, I ask myself if I am to
reject those in order to take my place among the ranks of these.
“The Buddhist priest, Hao-ch‘u, is a man of placid temperament and
of passions subdued. He is a fine scholar. His only joy is to muse
o’er flood and fell, with occasional indulgence in the delights of
composition. His family follow in the same path. He is independent of
all men, and no more to be compared with those heterodox sages of whom
we make so much than with the vulgar herd of the greedy, grasping world
around us.”
On this the commentator remarks, that one must have the genius of Han
Yü to condemn Buddhism, the genius of Liu Tsung-yüan to indulge in it.
Here is a short study on a great question:--
“Over the western hills the road trends away towards the north, and on
the farther side of the pass separates into two. The westerly branch
leads to nowhere in particular; but if you follow the other, which
takes a north-easterly turn, for about a quarter of a mile, you will
find that the path ends abruptly, while the stream forks to enclose
a steep pile of boulders. On the summit of this pile there is what
appears to be an elegantly built look-out tower; below, as it were a
battlemented wall, pierced by a city gate, through which one gazes into
darkness. A stone thrown in here falls with a splash suggestive of
water, and the reverberations of this sound are audible for some time.
There is a way round from behind up to the top, whence nothing is seen
far and wide except groves of fine straight trees, which, strange to
say, are grouped symmetrically, as if by an artist’s hand.
Public-domain text, read in full here on John Shaqi.
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