A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
Under a dynasty which the author leaves unnamed, two brothers had
greatly distinguished themselves by efficient service to the State. In
return, they had been loaded with marks of Imperial favour. They had
been created nobles of the highest rank. They had amassed wealth. The
palaces assigned to them were near together in Peking, and there their
immediate descendants were enjoying the fruits of ancestral success
when this story opens. The brothers had each a son and heir; but at the
date at which we are now, fathers and sons had all four passed away.
The wife of one of the sons only was still alive, a hale and hearty old
lady of about eighty years of age. Of her children, one was a daughter.
She had married and gone away south, and _her_ daughter, Tai-yü, is the
heroine of this tale. The son of the old lady’s second son and first
cousin to Tai-yü is the hero, living with his grandmother. His name is
Pao-yü.
The two noble families were now at the very zenith of wealth and power.
Their palatial establishments were replete with every luxury. Feasting
and theatricals were the order of the day, and, to crown all, Pao-yü’s
sister had been chosen to be one of the seventy-two wives allotted to
the Emperor of China. No one stopped to think that human events are
governed by an inevitable law of change. He who is mighty to-day shall
be lowly to-morrow: the rich shall be made poor, and the poor rich.
Or if any one, more thoughtful than the rest, did pause awhile in
knowledge of the appointments of Heaven, he was fain to hope that the
crash would not come, at any rate, in his own day.
Things were in this state when Tai-yü’s mother died, and her father
decided to place his motherless daughter under the care of her
grandmother at Peking. Accompanied by her governess, the young lady set
out at once for the capital, and reached her destination in safety. It
is not necessary to dwell upon her beauty nor upon her genius, though
both are minutely described in the original text. Suffice it to say
that during the years which have elapsed since she first became known
to the public, many brave men are said to have died for love of this
entrancing heroine of fiction.
Tai-yü was received most kindly by all. Especially so by her
grandmother, who shed bitter tears of sorrow over the premature death
of Tai-yü’s mother, her lost and favourite child. She was introduced
to her aunts and cousins, and cousins and aunts, in such numbers that
the poor girl must have wondered how ever she should remember all
their names. Then they sat down and talked. They asked her all about
her mother, and how she fell ill, and what medicine she took, and how
she died and was buried, until the old grandmother wept again. “And
what medicine do you take, my dear?” asked the old lady, seeing that
Tai-yü herself seemed very delicate, and carried on her clear cheek a
suspicious-looking flush.
Public-domain text, read in full here on John Shaqi.
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