A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
“I mean,” replied the other, “to send it down to earth, to play its
allotted part in the fortunes of a certain family now anxiously
expecting its arrival. You see, when the Goddess of Works rejected
this stone, it used to fill up its time by roaming about the heavens,
until chance brought it alongside of a lovely crimson flower. Being
struck with the great beauty of this flower, the stone remained there
for some time, tending its _protégée_ with the most loving care, and
daily moistening its roots with the choicest nectar of the sky, until
at length, yielding to the influence of disinterested love, the flower
changed its form and became a most beautiful girl.
“‘Dear stone,’ cried the girl, in her new-found ecstasy of life, ‘the
moisture thou hast bestowed upon me here I will repay thee in our
future state with my tears!’”
Ages afterwards, another priest, in search of light, saw this self-same
stone lying in its old place, but with a record inscribed upon it--a
record of how it had not been used to repair the heavens, and how
it subsequently went down into the world of mortals, with a full
description of all it did, and saw, and heard while in that state.
“Brother Stone,” said the priest, “your record is not one that deals
with the deeds of heroes among men. It does not stir us with stories
either of virtuous statesmen or of deathless patriots. It seems to be
but a simple tale of the loves of maidens and youths, hardly important
enough to attract the attention of the great busy world.”
“Sir Priest,” replied the stone, “what you say is indeed true; and
what is more, my poor story is adorned by no rhetorical flourish nor
literary art. Still, the world of mortals being what it is, and its
complexion so far determined by the play of human passion, I cannot but
think that the tale here inscribed may be of some use, if only to throw
a further charm around the banquet hour, or to aid in dispelling those
morning clouds which gather over last night’s excess.”
Thereupon the priest looked once more at the stone, and saw that it
bore a plain unvarnished tale of--
“_Beauty and anguish walking hand in hand
The downward slope to death_,”
telling how a woman’s artless love had developed into deep, destroying
passion; and how from the thrall of a lost love one soul had been
raised to a sublimer, if not a purer conception of man’s mission upon
earth. He therefore copied it out from beginning to end. Here it is:--
Public-domain text, read in full here on John Shaqi.
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