A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
Besides, it is only in hours of leisure that I devote myself to the
cultivation of flowers.”
Ch‘ên Hao-tzŭ then runs through the four seasons, showing how each has
its especial charm, contributing to the sum of those pure pleasures
which are the best antidote against the ills of old age. He then
proceeds to deal with times and seasons, showing what to do under
each month, precisely as our own garden-books do. After that come
short chapters on all the chief trees, shrubs, and plants of China,
with hints how to treat them under diverse circumstances, the whole
concluding with a separate section devoted to birds, animals, fishes,
and insects. Among these are to be found the crane, peacock, parrot,
thrush, kite, quail, mainah, swallow, deer, hare, monkey, dog, cat,
squirrel, goldfish--first mentioned by Su Shih,
“_Upon the bridge the livelong day
I stand and watch the goldfish play_”--
bee, butterfly, glowworm, &c. Altogether there is much to be learnt
from this Chinese White of Selborne, and the reader lays down the book
feeling that the writer is not far astray when he says, “If a home has
not a garden and an old tree, I see not whence the everyday joys of
life are to come.”
* * * * *
[Sidenote: CHAO I]
CHAO I (1727-1814) is said to have known several tens of
characters when only three years old,--the age at which John Stuart
Mill believed that he began Greek. It was not, however, until 1761
that he took his final degree, appearing second on the list. He was
really first, but the Emperor put Wang Chieh over his head, in order to
encourage men from Shensi, to which province the latter belonged. That
Wang Chieh is remembered at all must be set down to the above episode,
and not to the two volumes of essays which he left behind him. Chao I
wrote a history of the wars of the present dynasty, a collection of
notes on the current topics of his day, historical critiques, and other
works. He was also a poet, contributing a large volume of verse, from
which the following sample of his art is taken:--
“_Man is indeed of heavenly birth,
Though seeming earthy of the earth;
The sky is but a denser pall
Of the thin air that covers all.
Just as this air, so is that sky;
Why call this low, and call that high?_
“_The dewdrop sparkles in the cup--
Note how the eager flowers spring up;
Confine and crib them in a room,
They fade and find an early doom.
So ’tis that at our very feet
The earth and the empyrean meet._
“_The babe at birth points heavenward too,
Enveloped by the eternal blue;
As fishes in the water bide,
So heaven surrounds on every side;
Yet men sin on, because they say
Great God in heaven is far away._”
The “stop short” was a great favourite with him. His level may be
gauged by the following specimen, written as he was setting out to a
distant post in the north:--
Public-domain text, read in full here on John Shaqi.
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