A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
Here we have the key to the triumph of the Tao of Confucius over the
Tao of Lao Tzŭ. The latter was idealistic, the former a practical
system for everyday use. And Chuang Tzŭ was unable to persuade the
calculating Chinese nation that by doing nothing, all things would
be done. But he bequeathed to posterity a work which, by reason of
its marvellous literary beauty, has always held a foremost place.
It is also a work of much originality of thought. The writer, it is
true, appears chiefly as a disciple insisting upon the principles of
a Master. But he has contrived to extend the field, and carry his own
speculations into regions never dreamt of by Lao Tzŭ.
The whole work of Chuang Tzŭ has not come down to us, neither can all
that now passes under his name be regarded as genuine. Alien hands have
added, vainly indeed, many passages and several entire chapters. But
a sable robe, says the Chinese proverb, cannot be eked out with dogs’
tails. Lin Hsi-chung, a brilliant critic of the seventeenth century, to
whose edition all students should turn, has shown with unerring touch
where the lion left off and the jackals began.
The honour of the first edition really belongs to a volatile spirit of
the third century A.D., named Hsiang Hsiu. He was probably the
founder, at any rate a member, of a small club of bibulous poets who
called themselves the Seven Sages of the Bamboo Grove. Death, however,
interrupted his labours before he had finished his work on Chuang Tzŭ,
and the manuscript was purloined by Kuo Hsiang, a scholar who died
A.D. 312, and with some additions was issued by the latter as
his own.
Before attempting to illustrate by extracts the style and scope of
Chuang Tzŭ, it will be well to collect from his work a few passages
dealing with the attributes of Tao. In his most famous chapter,
entitled Autumn Floods, a name by which he himself is sometimes spoken
of, Chuang Tzŭ writes as follows:--
“Tao is without beginning, without end.” Elsewhere he says, “There is
nowhere where it is not.” “Tao cannot be heard; heard, it is not Tao.
Tao cannot be seen; seen, it is not Tao. Tao cannot be spoken; spoken,
it is not Tao. That which imparts form to forms is itself formless;
therefore Tao cannot have a name (as form precedes name).”
“Tao is not too small for the greatest, nor too great for the smallest.
Thus all things are embosomed therein; wide, indeed, its boundless
capacity, unfathomable its depth.”
“By no thoughts, by no cogitations, Tao may be known. By resting in
nothing, by according in nothing, Tao may be approached. By following
nothing, by pursuing nothing, Tao may be attained.”
Public-domain text, read in full here on John Shaqi.
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