“_Thy chariot and horses have gone, and I fret And long for the lover I ne’er can forget._ _O wanderer, bound in far countries to dwell, Would I were thy shadow!-- I’d follow thee well;_ _And though clouds and though darkness my presence should hide, In the bright light of day I would stand by thy side!_” We now reach a name which is still familiar to all students of poetry in the Middle Kingdom. T‘AO CH’IEN (A.D. 365-427), or T‘ao Yüan-ming as he was called in early life, after a youth of poverty obtained an appointment as magistrate. But he was unfitted by nature for official life; all he wanted, to quote his own prayer, was “length of years and depth of wine.” He only held the post for eighty-three days, objecting to receive a superior officer with the usual ceremonial on the ground that “he could not crook the hinges of his back for five pecks of rice a day,” such being the regulation pay of a magistrate. He then retired into private life and occupied himself with poetry, music, and the culture of flowers, especially chrysanthemums, which are inseparably associated with his name. In the latter pursuit he was seconded by his wife, who worked in the back garden while he worked in the front. His retirement from office is the subject of the following piece, of the poetical-prose class, which, in point of style, is considered one of the masterpieces of the language:-- “Homewards I bend my steps. My fields, my gardens, are choked with weeds: should I not go? My soul has led a bondsman’s life: why should I remain to pine? But I will waste no grief upon the past; I will devote my energies to the future. I have not wandered far astray. I feel that I am on the right track once again. “Lightly, lightly, speeds my boat along, my garments fluttering to the gentle breeze. I inquire my route as I go. I grudge the slowness of the dawning day. From afar I descry my old home, and joyfully press onwards in my haste. The servants rush forth to meet me; my children cluster at the gate. The place is a wilderness; but there is the old pine-tree and my chrysanthemums. I take the little ones by the hand, and pass in. Wine is brought in full jars, and I pour out in brimming cups. I gaze out at my favourite branches. I loll against the window in my new-found freedom. I look at the sweet children on my knee.