A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
“And now I take my pleasure in my garden. There is a gate, but it is
rarely opened. I lean on my staff as I wander about or sit down to
rest. I raise my head and contemplate the lovely scene. Clouds rise,
unwilling, from the bottom of the hills; the weary bird seeks its nest
again. Shadows vanish, but still I linger around my lonely pine. Home
once more! I’ll have no friendships to distract me hence. The times are
out of joint for me; and what have I to seek from men? In the pure
enjoyment of the family circle I will pass my days, cheering my idle
hours with lute and book. My husbandmen will tell me when spring-time
is nigh, and when there will be work in the furrowed fields. Thither
I shall repair by cart or by boat, through the deep gorge, over the
dizzy cliff, trees bursting merrily into leaf, the streamlet swelling
from its tiny source. Glad is this renewal of life in due season; but
for me, I rejoice that my journey is over. Ah, how short a time it
is that we are here! Why then not set our hearts at rest, ceasing to
trouble whether we remain or go? What boots it to wear out the soul
with anxious thoughts? I want not wealth; I want not power; heaven is
beyond my hopes. Then let me stroll through the bright hours as they
pass, in my garden among my flowers; or I will mount the hill and sing
my song, or weave my verse beside the limpid brook. Thus will I work
out my allotted span, content with the appointments of Fate, my spirit
free from care.”
The “Peach-blossom Fountain” of Tao Ch‘ien is a well-known and charming
allegory, a form of literature much cultivated by Chinese writers.
It tells how a fisherman lost his way among the creeks of a river,
and came upon a dense and lovely grove of peach-trees in full bloom,
through which he pushed his boat, anxious to see how far the grove
extended.
“He found that the peach-trees ended where the water began, at the
foot of a hill; and there he espied what seemed to be a cave with
light issuing from it. So he made fast his boat, and crept in through
a narrow entrance, which shortly ushered him into a new world of
level country, of fine houses, of rich fields, of fine pools, and of
luxuriance of mulberry and bamboo. Highways of traffic ran north and
south; sounds of crowing cocks and barking dogs were heard around; the
dress of the people who passed along or were at work in the fields was
of a strange cut; while young and old alike appeared to be contented
and happy.”
He is told that the ancestors of these people had taken refuge there
some five centuries before to escape the troublous days of the “First
Emperor,” and that there they had remained, cut off completely from
the rest of the human race. On his returning home the story is noised
abroad, and the Governor sends out men to find this strange region, but
the fisherman is never able to find it again. The gods had permitted
the poet to go back for a brief span to the peach-blossom days of his
youth.
Public-domain text, read in full here on John Shaqi.
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