A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
There are perhaps few, at least among the less read Greek writers, who,
in small compass and at no great expense of trouble, throw more negative
light on Greek criticism than [Sidenote: _Maximus Tyrius._] Maximus
Tyrius.[161] This rhetorician or philosopher (he would probably have
disclaimed the first epithet and modestly demanded promotion to the
second) has left us, in a style as easy as that of Aristides is
difficult, and showing at least a strong velleity to be Platonic, some
forty essays, or dissertations, or theses. They are on questions or
propositions of the usual kind, as these: “Pleasure may be a good but is
not a stable thing.” “On Socratic Love” (an amiable but slightly
ludicrous example of whitewashing everybody, from Socrates himself to
Sappho). “On the God of Socrates and Plato,” &c., &c. Several of them
might, at any rate from the titles, seem to touch our subject; two at
least might seem to be obliged to touch it. These are the Tenth (in
Reiske’s order), “Whether the poets or the philosophers have given the
soundest ideas of the gods?” and the Twenty-third, “Whether Plato was
right in banishing Homer from his Republic?” Yet, apt to slip between
our fingers as we have found and shall find apparently critical theses
of this sort, hardly one (at least outside Plutarch) is so utterly
eel-like as those of Maximus of Tyre. As to the first,[162] he suggests
that the very question is a misunderstanding—as no doubt it is, though
not quite in his sense. Philosophy and poetry are really the same thing.
Poetry is a philosophy, “senior in time, metrical in harmony, based on
fiction as to its arguments.” Philosophy is a poetry “renewed in youth,
more lightly equipped in harmony, more certain in sense.” They are, in
short, as like as my fingers to my fingers, “and there are ænigmas in
both.” If you are wise you will interpret the poets allegorically, but
go to the philosophers for clear statements. And we must allow, to the
credit of the former, that there is no poet who talks such mischievous
nonsense as Epicurus.
Footnote 161:
Ed. Reiske (after Davies and Markland), 2 vols. (or at least parts),
Leipsic, 1774.
Footnote 162:
Ed. cit., Part i. pp. 166-187.
Public-domain text, read in full here on John Shaqi.
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