A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
These, addressed to his favourite correspondent Ammæus, begin with the
familiar complaint (which no critical experience of the past ever drives
from a critic’s mouth) about the badness of the literary times. The good
old Attic Muse herself, like a neglected wife, is insulted, deprived of
her rights, and even menaced in her existence, by impudent foreign
baggages, Phrygian, or Carian, or Barbarian out and out. But we are
rather surprised (till we remember that Dionysius was a settler at Rome,
and that it was his interest, if not to do as the Romans did, at any
rate to please them) to hear that things are improving, owing to the
good sense of the governors of the Roman state, itself the governess of
the world. There is some hope that this “senseless eloquence will not
last for another generation.”[192] And Dionysius will do what he can to
help the good work by a study of the six greatest of the old Attic
orators, Lysias, Isocrates, Isæus, Demosthenes, Hyperides, Æschines.
Unluckily we only have the first three of these, though a judgment of
Deinarchus, not promised, exists, and the _De Admiranda Vi_ supplies the
gap, as far as Demosthenes goes, in even fuller measure than in
proportion to the others. We may as well take these and other things
together, in order to have something like a conspectus of the case
before summing up the critical characteristics of this most interesting
critic.
Footnote 192:
Petronius found that it did!
If they are somewhat disappointing, this (to borrow the convenient bull)
is not much more than we might have expected. [Sidenote: _The minor
works._] The _De Admiranda Vi_ is by far the best of them, and contains
a great deal of excellent criticism, both particular and general. But
the orators had already for centuries been the very parade-ground of
Rhetoric; and as paradoxical excursions from orthodox limits were,
though by no means unknown to the ancients, not in great favour with
them, everything that was likely to be said of the Ten was trite and
hackneyed. The smaller epistles and the judgment of Thucydides (perverse
as this last exploit is) are, on the whole, more interesting. The little
paper on the _Rhetoric_ of Aristotle and the Speeches of Demosthenes,
arguing that the latter are anterior to the former, is of a kind with
which modern times are only too familiar, but displays none of the
puerility and false logic which, in our modern instances, that
familiarity has taught us to associate with the kind. The contention is
undoubtedly sound: the handling is reasonable, and the whole makes us
distinctly sorry that Dionysius, who had access to so much that we have
lost, did not write a complete _History of Greek Literature_, which
would have been invaluable, instead of his _History of Rome_, which we
could have done without, though it is far from valueless. As it is, this
is one of the few important contributions to such a history that we
possess, of really ancient date. If he is less happy in the judgment of
Public-domain text, read in full here on John Shaqi.
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