A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
It has further seemed desirable, if not absolutely necessary for the
carrying out of this scheme, to confine ourselves mainly to the actual
texts. This is not, perhaps, a fashionable proceeding. Not what Plato
says, but what the latest [Sidenote: _Texts the chief object._]
commentator says about Plato—not what Chaucer says, but what the latest
thesis-writer thinks about Chaucer—is supposed to be the qualifying
study of the scholar. I am not able to share this conception of
scholarship. When we have read and digested the whole of Plato, we may,
if we like, turn to his latest German editor; when we have read and
digested the whole of Shakespeare, and of Shakespeare’s contemporaries,
we may, if we like, turn to Shakespearian biographers and commentators.
But this extension of inquiry, to apply a famous contrast, is
facultative, not necessary. At any rate, in the following pages it is
proposed to set forth, and where necessary to discuss, what Plato,
Aristotle, Dionysius, Longinus, what Cicero and Quintilian, what Dante
and Dryden, what Corneille and Coleridge, with many a lesser man
besides, have said about literature, noticing by the way what effect
these authorities have had on the general judgment, and what, as often
happens, the general judgment has for the time made up its mind to,
without troubling itself about authorities. But we shall only
occasionally busy ourselves with what others, not themselves critically
great, have said about these great critics, and that from no arrogance,
but for two reasons of the most inoffensive character. In the first
place, there is no room to handle both text and margent, with the
margent’s margent _ad infinitum_. In the second, the handling of the
margent would distinctly obscure the orderly setting forth of the texts.
Yet, further, leave will be taken to neglect guesswork as [Sidenote:
"Hypotheses non fingo."] far as possible, and for the most part, if not
invariably, to refrain from building any hypotheses upon titles, casual
citations, or mere probabilities.
Public-domain text, read in full here on John Shaqi.
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