A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
His general position here is easy enough to perceive, and there are of
course defences for it. Among all our thousand fragments of
Lucilius,[289] but two or three at most are long enough to give us any
idea of his faculty of sustained composition. And fine as is the
fragment to Albinus—with its Elizabethan reiteration of _virtus_ at the
beginning of the lines, its straight-hitting sense, and the positive
nobility of its ethic—numerous as are the instances in the smaller
scraps of _Romana simplicitas_ and picturesque phrase, there is no doubt
that the whole is rough and unfinished, not with the roughness of one
who uses a rudimentary art, but of one who has not mastered—perhaps, as
Horace insinuates, has not taken the trouble to master—one ready to his
hand. But there is something of the Frenchman’s “_We_ are all princes or
poets” about the tone of Horace himself. He is, _mutatis mutandis_, too
much in the mood of a _parvenu_ who has just been admitted to an
exclusive club, and thinks very meanly of poor wretches who are not
entitled to use the club-paper.
Footnote 289:
_Poet. Lat. Min._ (Baehrens), vi. 139-266. Our greatest English
Latinists recently have been singularly unkind to this poet. Munro
made what I can only call a violent attack on him: and Mr Nettleship,
while allowing him “extraordinary vigour” and “the ring of Caius
Gracchus” (see his Essay on the Satires (second series), where Munro’s
diatribe is quoted), practically indorses this. Against such judges I
should not have a word to say on the linguistic side: but I claim full
_parrhesia_ on the literary. The Virtue passage (which Munro specially
refuses to except) is as rough as, say, Marston; but it has a far
sincerer, loftier, and more truly poetical tone than anything of the
kind in Horace, and than most things in Juvenal. And everywhere I see
quality, passion, _phrase_. Here, at least, I can agree with Cicero
(_De Orat._, ii. 6 and elsewhere), though _perurbanus_ is not exactly
the epithet that I should, from his extant writings, myself select for
Lucilius.
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