A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Here again, as in the case of Cicero, it is necessary to break the rule
of not entering upon controversy, lest by silence one [Sidenote: _Mr
Nettleship’s estimate of it._] incur the blame of neglecting more than
competent authority. As in that other case, Mr Nettleship’s estimate of
the critical value of the _Dialogus_ (which he unhesitatingly attributes
to Tacitus) is higher, though not so much higher, than mine. He ranks it
with, but above, the _Brutus_, as “the two great documents of Latin
criticism”: I should put both as such (though Cicero and Tacitus were
both of them far cleverer than Quintilian) below the _Institutes_, and
also below other things.
The reason of the difference somewhat consoles me for the fact. Mr
Nettleship was evidently bitten with that noble error, the belief that
criticism of literature must be criticism of something that is _not_
literature. Tacitus seems to him to ask “under what social conditions
great writing and great speaking arise,”—a most interesting question,
but an excursus from criticism proper. “He sees clearly, and this is the
important point which characterises the treatise, that literature must
be taken and judged as the expression of national life, not as a matter
of form and of scholastic teaching.”
For “scholastic teaching” so be it: that also is extraneous to the
central matter. But on the other point one must throw away the scabbard.
Never will literature be judged adequately—seldom will it be, even
within limits, judged accurately—as “an expression of national life.”
From this and kindred fallacies come, and always have come, a brood of
monsters, the folly, almost as great as its opposite, that “a poet must
be a good man,” the folly that you can judge literature by remembering
that there is much water-meadow in England[375]—hundreds of others. That
literature is an expression of national life nobody need deny—that
national life can never be estimated without an estimate of literature
is, if anything, still more true. But literature is first of all
literature, and it must be judged, like all other things, by the laws of
its essence, and not by the laws of even its inseparable accidents.
Footnote 375:
Those who have an accurate memory of M. Taine’s _English Literature_
and of his _English Notes_ will not object to this apparent
impossibility.
Public-domain text, read in full here on John Shaqi.
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