A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Whether its correct title be _Institutiones Oratoriæ_, or _De
Institutione Oratoria_, and whether this be better translated
_Principles of Oratory_, or _Of the Education of an Orator_, are
questions not very important _to us_. The sense of “Institutes” may be
illustrated by the old division of academical chairs in, for instance,
Medicine into “Institutes” (_i.e._, “Theory”) and “Practice.” But
Quintilian includes a good deal of the practical side. All the
editions of Quintilian are either antiquated by, or more or less based
upon, that of Spalding and Zumpt, with Lexicon, &c., by Bonnell,
Leipsic, 1798-1834. I find the little Tauchnitz print of the text
(ibid., 1829) very useful. The Bohn translation, by the ill-starred J.
S. Watson, though not impeccable, will serve English readers well
enough.
This wide range of it (which, according to different, but, in each case,
defensible interpretations of its title, busies itself with the whole
education of an orator, or with the whole theory and practice of
oratory) naturally makes it include much which does not fall strictly
within our subject. But nearly the whole of three books, the eighth,
ninth, and tenth, and a large and important section of the twelfth, are
devoted directly to that subject; while there are references to it
almost throughout. We shall therefore, as we did in the case of
Aristotle and Longinus, give a kind of running abstract of the whole,
dwelling very briefly on the irrelevant, somewhat more fully on the
partly relevant, fully on the rest, and returning to the consideration
of special points later.
In a sort of Advertisement, to and for the use of his publisher Trypho,
and in a prefatory dedication to his friend Marcellus [Sidenote:
_Preface._] Victorius, Quintilian gives some information about the
origin and object of the work. From this we learn, among other things,
that part-cause at least of its actual appearance was the fact, not
unknown in more modern times, of unauthorised publication of his
lectures by note-taking pupils.
Public-domain text, read in full here on John Shaqi.
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